Pipe Dance of San Juan

 

 

 

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Pipe Dance of San Juan
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Pipe Dance o f San Juan

I cannot reproduce the music which was used for this dance; but give that of a PIPE DANCE of the Chippewa, recorded by Frances Densmore (Chippewa Music, II, p. 294). Of the PIPE DANCE among these tribes, Miss Densmore says:

"The Pipe Dance was said to be the principal `good time dance' of the early Chippewa. It is very old; and, like all other dances, is believed to have come from the inanido. In this dance, a man carried a pipestem, and his body was supposed to represent a pipe. The dancer never rose erect, but took a crouching or squatting posture, trying to assume the form of a pipe as nearly as possible. Many contortions of the body were used, and the antics of the dancers were considered very amusing . . . . It was considered a test of courage for a man to brave the ridicule of the assembly, and seat himself where he would be asked to dance the Pipe Dance. In the early days, the men who danced this wore no clothing except the moccasins, which were a necessity to protect the feet.

"A characteristic of the music of this dance is that a sharp short beat of the drum is frequently given, followed by an instant of silence. When this drumbeat is heard, the dancer pauses in whatever attitude he may chance to be, and remains motionless until the drumbeat is resumed."' This pause is indicated in the music by the rest in each of the 3/4 time measures, and is a characteristic of much of the music and dancing of the Southwest.

The dance is a prayer for the rain clouds to form.

It is performed by two dancers.

(a) Holding a pipe at waist level in both hands, they bend th

body forward at each two steps, and backward at each two

enter with the back-trot step (2 steps to each meas

ure) 8 meas

(b) Stand perfectly still while the chorus continues th

song 4 mea

At the second and fourth of these four measures, the dance bend both knees quickly, and yelp once.

(c) Trot right, left, hold

(d) Drop foot, and bend knees, giving one yelp

44

I mea; I mead

(e) With back-trot step in place, and bending body as in (a),

but holding pipes up at arms' length and looking up at

them 4 meas.

(f) Trot, trot, hold i meas.

(g) Drop foot, bend knees, and yelp i meas.

(h) Quickly about face, and repeat whole in opposite direction.

lance; but ices Densiong these

dance' of is believed pipestem, never rose Lssume the body were sing . . . . :ule of the e the Pipe o clothing t.

short beat ~e. 'When le he may resumed." to 3/q. time lancing of

bend the each two, Lch meas8 meas.

inues the 4 meas. he dancers

i meas. i nneas.

45

Rhythm of the Redman

 

 

   

 

 


Additional Information:

Peer- Level Topic Links:
Arrow Dance of the Navaho ] Basket Dance of Cochiti ] Basket Dance of Woodcraft ] Bow & Arrow Dance of Jemez ] Bow & Arrow Dance Woodcraft ] Comanche Dance of Woodcraft ] Comanche Dance of Zuni ] 2nd Comanche Dance of Zunis ] Corn Grinding Dance Woodcraft ] Corn Grinding Song of Zuni ] Coyote Dance of Woodcraft ] Dance of the Mudheads at Zuni ] Deer Dance of the Navahos ] Deer Dance of San Juan ] Dog Dance of San Juan ] Dog Dance of Woodcraft ] Doll Dance ] Eagle Dance of Tesuque ] Eagle Dance of Woodcraft ] Green Corn of Santo Domingo ] Harvest Dance of Zuni ] Hoop Dance of Taos ] Hoop Dance of Woodcraft ] Hopi Snake Dance ] Mountain Chant of the Navaho ] [ Pipe Dance of San Juan ] Rain Dance of Zuni ] Yei-Be-Chi ]

Parent- Level Topic Links:
Introduction ] Why Dance? ] Fundamental Steps ] List of Dances ] List of Illustrations ] Songs According to Tribes ]

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Last modified: October 15, 2016.